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Jun 21, 2013


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Lady Griz hand Selvig 800th career win with 68 61 victory over PortlandGriz up to fifth in TSN poll, highest ranking of seasonBig Sky honors Sac State QB SafronNorth Dakota football coach firedSince 1897, the Cat Griz rivalry has captivated the stateFamily health: Prepare yourself and your vehicle for winter drivingFitness calendarBirths for Tuesday, November 19Angler with 4th place total takes Fall Mack Days fishing tournament titleWestern Montana hunters get help from fresh snow, rutIf the name Grace Coddington is familiar, you've probably seen the 2009 documentary film "The September Issue" about Vogue magazine's Editor in Chief Anna Wintour, the most feared and revered woman in fashion. Now Coddington, the longtime creative director of Vogue, has her own star vehicle, an engaging memoir titled "Grace," co written with Michael Roberts. For anyone with a passing interest in the fashion industry, it's worth a read for the name dropping alone.As became clear in the film, which chronicled the magazine's staff as they put together the 4 pound September 2007 issue, Coddington is not the Anna Wintour or Diana Vreeland type. You won't hear her barking orders at assistants or making dramatic pronouncements about pink.But she is equally passionate, a wild haired dreamer who thinks that fashion should be transporting, provocative and even intellectual, who bemoans the dominance of celebrities and digital hocus pocus in fashion photography and who isn't afraid to take on Wintour.The book is a window into how fashion has changed from a small, niche business into a global pop culture medium. It chronicles Coddington's 50 years in the industry, first as a model, then as a fashion editor for British Vogue and finally as creative director for American Vogue, with lots of juicy anecdotes about designers, photographers, celebrities and models.She compares the fashion world then and now and offers clues into her relationship with Wintour. She's also open about her private life, including details about failed marriages, the tragic death of her sister Rosemary and her 30 year romance with French hairstylist Didier Malige. She tells colorful stories behind many of the fashion shoots she has styled, but I do wish she had offered more insight into her role in the creative process.Coddington begins by painting a picture of her upbringing as romantic as any photo shoot. For her first 18 years, her home was the Trearddur Bay Hotel on the island of Anglesey off the coast of North Wales. "Although it was bleak, I saw beauty in the bleakness." When she wasn't outdoors, she amused herself by looking at picture books, reading fairy tales and, yes, studying the pages of Vogue magazine. As a teen, she went to a convent school and has vivid memories of the nuns roller skating on the rooftop, "flapping about surreally in their robes like crows on wheels."At 18, she moved to London to attend a modeling course advertised in Vogue. The fashion world was much different in 1959. Coddington had to learn how to apply her own makeup and style her own hair, because makeup artists and hairdressers specializing in photo shoots were nonexistent. A meeting with photographer Norman Parkinson led to her first modeling job running naked through the woods for an arty fashion catalog.Coddington became an overnight success. "I was a character, rather than a pretty model, and I suppose that's exactly what I look for in the girls I now select to put in American Vogue the ones who are quirky looking."She earned the nickname "The Cod" (to Jean Shrimpton's "The Shrimp"), danced the twist on Mary Quant's catwalk and became a muse to Vidal Sassoon, who created his famous five point cut on Coddington. Her modeling career was derailed for two years by a car accident, which scarred her left eyelid. But eventually things picked up again, and she settled into life in 1960s swinging London and Paris, hanging out with a fast crowd that included Michael Caine, Jane Birkin, the Beatles and the Rolling Stones.Her fashion editing career coincided with the beginning of her relationship with Michael Chow and the opening of his glamorous restaurant Mr. Chow, which attracted a starry crowd. "Naturally, we were forever being photographed at home, draped among our symbols of 'with it ness' as one of London's most happening couples; him, the cool young restaurateur, nonchalantly swinging in a hammock hung from the minstrel's gallery and me, the sophisticated style maker, perkily sitting cross legged atop a giant pop art version of a Campbell's soup can."At the height of the bohemian 1970s, she dyed her hair with henna and permed it (it would stay the same for much of the next 40 years), dressed almost exclusively in Yves Saint Laurent, had a fling with a Vietnamese photographer and spent her evenings at Club Sept in Paris. Coddington worked with the who's who of fashion. She shot Anjelica Huston with photographer David Bailey and Pat Cleveland with Helmut Newton.When Bea Miller, who had edited British Vogue for 22 years, retired, Coddington interviewed for the job but says she knew deep down she wasn't suited for it and thought that Wintour, then the creative director of American Vogue, should get it.Wintour did get it. Two days into her editorship, she invited Coddington to a screening of the racy film "Betty Blue." The two sat in dead silence through the opening sequence, a vivid five minute sex scene."Anna was rigid and unmoving. No sign of any emotion at all," Coddington writes. "I then realized how much significance Anna places on willpower trumping feelings."In 1988, when Wintour was appointed editor in chief at American Vogue, Coddington asked to join her. Coddington's narrative style fashion features and travelogues, a sampling of which appear in the book, became the heart and soul of the magazine, even as its pages became increasingly taken over by celebrities. Through her visual canvases, she interpreted the New Romantic period, grunge and the South Beach blinged out 1990s, and persuaded superstar designers Tom Ford, Marc Jacobs and others to play roles in a shoot based on "Alice in Wonderland."She sums up her creative process this way: "For me, one of the most important aspects of my work is to give people something to dream about, just as I used to dream all those years ago as a child looking at beautiful photographs."The book ends with a chapter on then and now. "Fashion has changed so much in my lifetime," Coddington writes. "Today, I find myself at the collections, asking, 'Who are all these people?' Sometimes I think I'm the last remaining person who comes to the shows for the pleasure of seeing the clothes."At 71, she seldom wears makeup and doesn't socialize much. But her attempt in the last 100 pages to distance herself from the term "fashionista" is a bit of a stretch. Clearly, Coddington has led a most charmed life. Otherwise, we wouldn't be reading about it.We provide this community forum for readers to exchange ideas and opinions on the news of the day. Passionate views, pointed criticism and critical thinking are welcome. Comments can only be submitted by registered users. By posting comments on our site, you are agreeing to the following terms:

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Articles in Print

  • The Fearless Personal Inventory
    Mortified -- the funniest public ritual of personal intimacy to mark the rise of confessional reality.
  • The Zombie Zeitgeist
    A full scale movement is on the lurch. But why the best zombie movie ever made a video game?
  • Believer interview with Mark Allen
    Digital artist and awesome gallerist Mark Allen talks about Tekken Torture Tournament and other projects where people were wired to machines and did strange things in public.
  • Believer interview with Marjane Satrapi
    Enlightening Q & A with the Persian cartoonist, memoirist, quick conversationalist in which she declares: “THE WORLD IS NOT ABOUT BATMAN AND ROBIN FIGHTING THE JOKER; THINGS ARE MORE COMPLICATED THAN THAT.”
  • ¡Viva Border Volleyball!
    Two on two on a toxic and geopolitically divided beach. (Nifty pictures and video available!)
  • Yeti Researcher
    Yet another 100-page issue of the world's top academic journal devoted scholarship about the Yeti, Bigfoot, Sasqatch, and other mystery primates worldwide. For researchers and lay audiences alike, the latest YR features a history of Sasquatch sightings in southern California, an update on the wily orang pendek of Sumatra, and a new look into Teddy Roosevelt's obsession with bagging a Bigfoot. As Editor-in-Chief, I promise you won't be disappointed.
  • The Jacuzzi Apocalypse
    Notes from Y2K. With some humor, and a nifty drawing by Carson Mell.
  • Monkey Love
    My contribution to the vast cultural conversation on King Kong and the viability of simian-human romance
  • Man's Best Friend
    Nintendogs puts existentialism in the palm of your hand
  • Digital Trim
    Hillary Clinton likes her coffee cold


  • Panda PowerPoint!
    I guess I don't mind being "the entertainment" when it's at Mark Allen's second annual Holiday Fry-B-Que. Presented: preliminary findings from my ongoing research into the most charismatic megafauna of all: Giant Pandas.
  • McSweeny's Presents: The World, Explained | Dec 9, 2006
    For those who missed it, there will be more. World, Explained is going strong! Money was raised, laughs were had, and for those paying attention, small amounts of useful information about things like the aurora borealis were transmitted. Plus: Michael Cera = lovably funny. And Nick Diamonds' renditions of Dumb Dog and Hanging Tough are still in my head. As is that horribly catchy Fresh Step jam.
  • Jest Fest at Skylight Books
    Somehow I wound up hosting the 10th anniversary jubilee for Infinite Jest at Skylight Books. Because who doesn't love a jubilee, right? Despite being delirious with Hepatitis A (that's the mild, non-lethal kind; I'm not at risk for Hep B since I always go the needle share and choose clean-looking prostitutes), I managed to not mis-pronounce anyone's name and make an erudite joke and poke gentle fun at Michael Silverblatt.
  • McSweeny's Presents: The World, Explained | June 10, 2006
    Number Three! Last one was sold out so we moved to a slightly larger theater. Andy Richter hosted, and his opening exegesis of CSI: Miami warmed the people up right. Evany Thomas presented her very scientific findings on the Secret Language of Sleep; Starlee Kine bared her neuroses to the world (or at least the 300 people in the audience); Josh Davis showed video of his 135-lb self sumo wrestling a 550-lb opera singer from San Bernardino; and Davy Rothbart closed it out with some Found Magazine magic. Grant Lee Phillips, Sam Shelton and Zooey Deschanel provided the music punctuation! I can still hear their rendition of We Are the Champions.
  • McSweeny's Presents: The World, Explained | Feb 11, 2006
    The second in our series of precision comedy and fact-based entertainment extravaganzas benefiting 826LA. Patton Oswalt was kind enough to host, and Jon Brion joined in on the piano and guitar as thematic accompaniment. Presenters included: David Rees, Michael Colton, John Hodgman (along with his hirsuit troubadour, Jonathan Coulton), and me. Plus: a fashion show of exciting multi-user garmentry.
  • Little Gray Book Lecture at Galapagos
    How to Observe President's Day. Jonathan Coulton's technical wizardry has made this entire show available online. The summary from PRX: Sarah Vowell, John Hodgman and Joshuah Bearman on Presidents' Day, along with a fifteen-piece marching band and a new song about all forty-three presidents. My contribution? Yes, from Yeti Researcher. Again. Actually that was the first one. So I have only five stories!
  • Little Gray Book Lecture 25 at Galapagos
    The Animals: Are They Our Enemies? In the case of my presentation about the giant gerbils of Xinjiang, the answer is yes.
  • July 25: TJ to LA -- A Night McSweeney's Readings
    I was honored to be part of a strange triptych along with Salvador Plascencia and Josh Kun. Sponsored, somehow, by La Ciudad magazine, we all packed into Beyond Baroque with no air conditions. 150 people showed at 7 o'clock on a Friday evening, which we took as a good sign of something. Sal held up and anxiously discussed drawings from his novel, Josh delivered an essay on the Dr. Moreau of Tijuana, and my shtick (again) was Pac Man and metaphysics, this time with fun slides.
  • October 8th: Skylight Books w/Stephen Elliott
    Fun times were had by all. Someone in the audience actually mistook me for an expert on the psychology human character. We ate shrimp cocktail and drank cheap wine and laughed at Bush and celebrated the certainty of right besting wrong in American democracy. A lot of good that did.
  • October 9th: MoveOn Fundraiser in Los Angeles
    See above.

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